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Sulimma | Publications

Monographs and Edited Volumes

City Scripts: Narratives of Postindustrial Urban Futures. Co-edited with Barbara Buchenau and Jens Martin Gurr, the Ohio State University Press (2023).

Gender and Seriality: Practices and Politics of Contemporary US Television. Edinburgh: University Press, 2021.

Die anderen Ministerpräsidenten – Geschlecht in der printmedialen Berichterstattung über Berufspolitik. Berlin: LIT Verlag, 2014.

Articles

  •  With Hanna Henryson. “Nothing was solved, only accelerated: “Nothing was solved, only accelerated: Contemporary Berlin Novels as Accelerated Gentrifictions.” Narrative(forthcoming 2024).
  • With Anthony P. McIntyre, Diane Negra, and Eleanor O'Leary. “Puppy Power: Mapping Modes of National Canine Cuteness and Patriotism” (in preparation).
  • “Gender Studies meets Seriality Studies: Fernsehen und Intersektionale Geschlechtlichkeit.“ Handbuch Televisuelle Serialität, edited by Sven Grampp and Olga Moskatova. Springer (in preparation).
  • “Dilemma as Technique: Sarah Schulman’s Queer Detective Fiction and Gentrification” (in preparation).
  • “Urban Backwardness: Fantasies of the Village in the City.” Dossier “Backwardness: Rethinking Modernity, Conceptualizing Change,” edited by Kathleen Loock and Ruth Mayer. Amerikastudien / American Studies (forthcoming).
  • with Barbara Buchenau and Jens Martin Gurr. “City Scripts in Urban Literary and Cultural Studies.” City Scripts: Narratives of Postindustrial Urban Futures, edited by Barbara Buchenau, Jens Martin Gurr, and Maria Sulimma, Ohio State University Press, 2023. 1-24.
  • “To the Bodega or the Café? Microscripts of Gentrification in Contemporary Fiction.” City Scripts: Narratives of Postindustrial Urban Futures, edited by Barbara Buchenau, Jens Martin Gurr, and Maria Sulimma, 2023. 138-155.
  • ‘“To live in a city is to consume its offerings’: Speculative fiction and gentrification in Ling Ma’s Severance (2018).” Journal of Urban Cultural Studies, Special Issue “Representing Urban Change beyond Gentrification,” 10:1 (2023): 95–112.
  • “‘I am not by any stretch a gardener, just curious’: Feminist Gentrifier Memoirs and an Ethics of Urban Gardening.” Ecozon@, Special Issue “Gardening (against) the Anthropocene,” 14.1 (2023): 70-86. Open access
  • With Julia Leyda. “Pop/Poetry: Dickinson as Remix.” Arts 12.2 (2023). https://doi.org/10.3390/arts12020062 open access
  •  “Recursive Cities: Seriality and Literary Urban Studies.” Companion of Literary Urban Studies, edited by Lieven Ameel. Routledge, 2023. 87-102.
  • “Scripting Urbanity through Intertextuality in N.K. Jemisin’s The City We Became: I’m Really Going to Have to Watch Some Better Movies about New York.” Critique: Studies in Contemporary Fiction 63.5 (2022): 571-586.
  •  “Needs to Be More Explicit about the Methodologies…: Reluctance, Collaboration, and Vulnerability in Research Processes.” Dossier “Method as Practice,” edited by Ilka Brasch and Alexander Starre. Amerikastudien / American Studies 67.1 (2022): 14-16.
  • “Sorting through Feminist Cabinets with Clare Hemmings’s Why Stories Matter (2011).” Culture^2: Theorizing Theory for the Twenty-First Century, Vol.1, edited by Frank Kelleter and Alexander Starre. transcript, 2022. 127-142. Open Access. 
  • “Wieviel Hitze verträgt ein Trinkwasserspender? Zur gegenderter Kanonbildung, Legitimität und einer kritischen Sphäre des Fernsehens.” Realität in Serie: Realitätsbehauptungen und -effekte in Fernsehserien, edited by Katja Kanzler, Stefan Schubert, and Sophie Spieler. Springer, 2022. 105-127.
  • “Surviving the City: Zombies, Run! and the Horrors of Urban Exercise.” Playing the Field II: American Studies, Video Games, and Space, edited by Dietmar Meinel. De Gruyter, 2022. 223-240.
  • “The Plane, the City, the Chase: Killing Eve and European Aviation Culture.” Dossier “Contemporary US Television and/in the Banal Anthropocene,” edited by Diane Negra and Julia Leyda. Screen 62.1 (2021): 107-115.
  • “Defined by Distance: The Roadtrip and Queer Love in Alice Isn’t Dead.” Special Issue “Feminism, Gender, and Podcast Studies,” edited by Julia Hoydis. Gender Forum 77 (2020): 69-89. Open Access.
  • with Julia Havas. “Through the Gaps of My Fingers: Genre, Femininity, and Cringe Aesthetics in Dramedy Television.” Television & New Media 21.1 (2020): 75-94.
  • “‘Sir, she can hear you‘: The Mute White Woman as Cinematic Meditation on Gender, Communication, and Heterosexual Romance.” American Counter/Publics, edited by Ulla Haselstein, Frank Kelleter, Alexander Starre, and Birte Wege. Winter, 2019, 325-341.
  • “Lena Dunham: Cringe Comedy and Body Politics.” Hysterical! Women in American Comedy, edited by Linda Mizejewski and Victoria Sturtevant. University of Texas Press, 2017. 379-401.
  • “Simultaneous Seriality: On the Crossmedia Relationship of Television Narratives.” Special Issue “Serial Narratives,” edited by Kathleen Loock. Literatur in Wissenschaft und Unterricht 47.1-2 (2014): 127-143.
  • with Bettina Soller. “‘It’s a great time to be a woman in politics!‘ –  Serielle Verhandlungen von Politikerinnen als Protagonistinnen von US-Fernsehserien.“ Indes – Zeitschrift für Politik und Gesellschaft 4 (2014): 78-88.
  • “Ein Aufschrei ohne Konsequenzen?“ Politische Kultur in der Krise: Jahrbuch des Göttinger Instituts für Demokratieforschung, edited by Alexander Hensel, Roland Hiemann, Daniela Kallnich, Robert Lorenz, and Katharina Rahlf. ibidem, 2014. 275-277.
  • “‘Did you shoot the girl in the street?‘ –  On the Digital Seriality of The Walking Dead.” Special Issue “Digital Seriality.”Eludamos: Journal for Computer Game Culture 8 (2014): 83-100. Open Access. 

 

Blog Posts and Digital Essays

 

Reviews

  • “Kevin R. McNamara (ed.). The City in American Literature and Culture.” Amerikastudien / American Studies (forthcoming).
  • “Stefan Schubert. Narrative Instability: Destabilizing Identities, Realities, and Textualities in Contemporary Popular Culture.” Zeitschrift für Anglistik und Amerikanistik 69.2 (2020): pp. 191-194.
  • “Rubén Cenamor and Stefan Brandt (eds.).  Ecomasculinities: Negotiating Male Gender Identity in U.S. Fiction.” Anglia - Journal of English Philology 138.1 (2020): 207-211.
  • “Judith Kohlenberger. The New Formula For Cool: Science, Technology, and the Popular in The American Imagination.” Zeitschrift für Anglistik und Amerikanistik 65.2 (2017): 231-234.
  • “Amanda Lotz. Cable Guys: Television and Masculinities in the 21st Century.” Literatur in Wissenschaft und Unterricht 47.1-2 (2014): 212-213.
  • “Podcast Review Cable Guys: Television and Masculinities in the 21st Century (Amanda Lotz).” Critical Studies in Media Communication Podcast Series, March 2015. https://audioboom.com/boos/2944592-cable-guys-television-and-masculinities-in-the-21st-century.
  • “Conference Report Internationale Konferenz der DFG Forschergruppe Ästhetik und Praxis populärer Serialität, 2013.“ Zeitschrift für Medienwissenschaft (Aug. 2013): www.zfmedienwissenschaft.de/index.php?TID=93.
  • “Annika Bach, Katharina Fritsche, and Margreth Lünenborg. Migrantinnen in den Medien -Darstellungen in der Presse und ihre Rezeption.“ Femina Politica – Zeitschrift für feministische Politikwissenschaft 2 (2012): 198-200.

 

Newspaper Articles

  •  Focus. Dec. 2021. „Die neuen Fünfziger: Sex and the City Revival.” (interview: Birgit Querengäßer)
  • Bayrischer Rundfunk. June 2021. “Herrscherinnen: Geschichten von Frauen und Macht.“ (interview: Vanessa Schneider)
  • Die Rhein Pfalz Zeitung.“ Jan. 2018. Lange von Weißen Männern geprägt: Mediathek-Interview mit Maria Sulimma.“ (interview: Anne Lenhardt)
  • PULS – Das junge Programm des Bayrischen Rundfunks. April 2017. “Spielwiese: Flashbacks auf der Couch: Warum Serien so besessen sind von der Vergangenheit.“ (interview: Verena Fücker)
  • Deutschlandfunk Kultur- und Sozialwissenschaften. March 2014. “Schwerpunktthema: Frauen an der Macht.“ (interview: Christian Forberg)
  • ER MAG – Geschichten über Männer (Konrad Adenauer Foundation). Nov. 2013. “Besorgte Versorger – die neuen alten TV-Väter.“ (interview: Dorothee Barsch)